Tag Archives: featured

Octane – Ashes Fall

Ashes Fall

04/21/25: Drums/Bass
04/22/25: Guitars
04/24-25/25: Vocals

Brian Bortnick – Vocals
• Shure SM7b : Focusrite ISA828 (Ch7)
Brian Quinn – Guitar
• Gibson LesPauls
• Friedman BE100D, Marshall JCM900, Mesa DualRecSoloHead
Gregg Tripp – Guitar
• Gibson LesPaul
• Soldano SLO100
Joe Bass – Bass
• MusicMan StingRay 5
• ART ProChannel (OG), DarkGlass, GED•2112 SansAmp
Robert Pirylis, Jr.– Drums
01. SubKick wombat(tm) ISA828-4
02. KickIn Beta91 ISA828-1
03. KickOut Beta52 412-2
04. SnareC MXL606 ISA828-2
05. SnareT SM57 412-3
06. SnareB SM57 ISA828-3
07. Tom1 Sennheiser421 412-5
08. Tom2 Sennheiser421 412-6
09. Tom3 Sennheiser421 412-7
10. Hi-Hat SM81 Pacifica-1
11. Ride MXL601 Pacifica-2
12. L Overhead KSM32 273-1
13. R Overhead KSM32 273-2
14. L CloseRoom AKG414 AUD-1
15. R CloseRoom AKG414 AUD-2
16. MonoRoom dbxRTA 412-4

Slate Core Station

After moving in the bare bones gear to have a working studio, I found that I wanted to get myself a console to put my display and rack my gear. I was just using a table for the monitor and road racks for the gear.

First couple sessions were basically a jazz band consisting of drums, keys, upright bass, saxophone and trumpet. This allowed me to make sure all monitoring was working and I was limited to the 18 or so channels I had coming through to the control room via the drum snake and a patch panel in the other room.

Second, we shot a video with audio to sync up afterward for a web series. Brian Bortnick was the first of these two.

Third was LauraLea Taraskus for the same web video series.

Since the table didn’t have much girth, if it were bumped substantially the display would rock and all that were around thought the worst. So, I started looking into getting a proper work station to place the display and rack the pre-amps, etc.

I was pretty dead set on an Argosy Halo. What really did bother me was how the display blocked the main view out into the live room.

At that same time, the Slate Media Technology RAVEN MTi CORE Station with 2 RAVEN MTi2s went on sale and I figured for the same price I was considering for the Argosy, I would get a workstation plus 2 Raven MTi2s as well! I did have to consider that I was also dropping from 4K back down to 2x HD.

So I went for it and also picked up the Corestation sidecars to rack the gear.

Breaking all the gear down and wiring it up again was such a joy!


I got a bigger piece of wood to mount the existing Hi-Z and speaker connection that were on the previous panel and added my 32 channel snake so now all 32 channels are coming into the control room. I also found channels that were thought to be unavailable inside the control room wall, so score there!

Now I have an unobstructed view with the artist and a really nice recording system in the control room to pilot the studio that’s nice, neat and looks really great too.

The only complaint really is that the top of the core station is too small to sit my speakers. I had to purchase a taller set of speaker stands to support the rear of the speakers behind the console.

The first couple sessions through this setup proved incredible to me. Utilizing the new preamps etc., the raw recordings have never sounded so good!

Tommy Conwell

TommyConwellTommy Conwell

Tommy Conwell came in to record the anthem for Wing Bowl 2015.

Input list

  • Drums: Bob Pirylis, Jr.
    1. SubKick: Wombat
    2. Kick: Shure Beta-52
    3. Snare Top: Shure SM-57
    4. Snare Bottom: Shure SM-57
    5. Rack Tom: Sennheiser 421
    6. Floor Tom: Sennheiser 421
    7. Hat: Shure SM-81
    8. OH Left: MXL 2001
    9. OH Right: MXL 2001
    10. Ride: MXL 603
    11. Room: dbx RTA
  • Bass: Michael Vlaanderen
    1. Fender Jazz: Whirlwind IMP2
  • Guitar/Vocals: Tommy Conwell
    1. Gibson Les Paul Custom: Shure SM-57
    2. Gibson Les Paul Custom: Sennheiser 421
    3. Fender Telecaster: Shure SM-57
    4. Fender Telecaster: Sennheiser 421
    5. Vocals: Shure SM7b
  • Vocals: Brian Quinn
    1. Vocals: Shure SM7b

Ever/After

Ever/After is currently made up of guitarist Reggie Wu and drummer Jim Drnec. They’re calling it a recording project. Originally there were two more members, Mark Evans on bass and vocals along with John Dennis on guitar. Reggie and Mark are members of Heavens Edge, and Jim drummed for The Dead End Kids, Network, Cinderella and the list goes on.

Continue reading Ever/After

Recording, Mixing and Mastering Octane

When I started running sound for Octane back in September 2004, I never thought I’d ever record their music, I mean other than live. Over the years I started acquiring equipment for studio recording and along the way tracked some multi-track shows of theirs. Tin Angel shows, “Rise Up” CD Release show at Bootleggers and Brian Bortnick’s last night. I did this with a MOTU 24io straight out of the FOH console into Cubase SX3 and then remixed at home.

Continue reading Recording, Mixing and Mastering Octane