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Fruity Loops


What they used to call “Fruity Loops” they now call FL Studio. I couldn’t tell you the last time I used it. I can’t even remember if I actually did any work in it or I just played. I do know, it was Windows-only but they later came out with a Mac version.

Anyway, I bought the boxed version of FL Studio Producer v8.x (Box) in November of 2009. I was able to sign up for LIFETIME UPDATES for a one-time fee of $39. Where they say “While our competitors typically charge between $150-250 for an update. With FL Studio you will always get the latest version free because we believe you should have the program you paid for, bug-fixed and updated for as long as we develop FL Studio.” Yet I have a company that charges me yearly for a perpetual license whether they upgrade, bug-fix, or not.

So while I may not download and install the latest FL Studio, one day, I may just play.

LUNA required latest macOS and WiFi card

May 23rd, 2020: Harry, my cat, slept through the delivery I had been waiting for for what seemed like an eternity. It was a very specific WiFi card that I needed – and had made its way all the way from Shanghai, China. I ordered it April 16th from Newegg.Com because 9 days earlier, the world saw this:

Ever since the announcement at the most recent NAMM, I couldn’t wait for LUNA!

Finally, I would be rid of Avid and all the idiosyncrasies that came with running Pro Tools as my main DAW.

So, as soon as I got the announcement email, I downloaded LUNA. It required macOS Mojave or better (which at the time was only Catalina). I was running High Sierra – and if I recall, LUNA did run on that, but I can’t remember if I had some sort of issue, or if I just figured I must be at the OS LUNA wanted. I had purchased a Radeon Pulse RX 580 on June 21st, 2019 for when I decided to make the leap to Mojave (as Nvidia was no longer supported) so I figured I’d skip over Mojave and go straight to Catalina.

So somewhere between April 6th and April 16th 2020, I Carbon Copy Cloned my running High Sierra system and started on with the Catalina installation. As with most Hackintosh installs, there are things here and there that either set you back or realized you wanted differently, so this could result in several attempts at the same thing. This is usually with your Hackintosh doing whatever it’s doing while you’re on your MacBook Pro surfing TonyMac‘s site making sure you’re doing everything right and searching for answers with whatever questions you may have.

The new video card worked great the installation seemed to go okay, I just couldn’t connect to my network. Thinking back, I did NOT upgrade to High Sierra from Sierra cause my 43″ TV couldn’t be used as a 4K monitor for some reason – the option that made it work on Sierra was not available in High Sierra, so that’s why I never upgraded. When I went to the Slate Ravens, I no longer had to worry about that – well, I covered this already. SO I thought maybe there was something like this for Catalina and Mojave, so I did a Mojave install, but the same result, no network.

So searching TonyMac and Googling Hackintosh in general, revealed that my WiFi card didn’t work with the new macOSes. I needed a new one. Amazon and Newegg didn’t have them, but I was able to order this particular WiFi card through Newegg because there was stock in China. Buying something from China in April when they were just blamed in March for a global pandemic seemed sort of ludicrous, but I’m an American, and I want what I want the fastest way I can get it not caring how that is accomplished in the end as long as I get what I want.

High Sierra was okay with the new video card, so I ran with that while I waited.

So after an eternity of shipping (during a pandemic), the WiFi card arrived and I installed the new macOS and began fresh installs of all my software and putting all the registrations in place. Going to all their websites, logging in to get the latest versions, and retrieve my codes (thanks iCloud for saving all that stuff for me) with no problems, I finally fired up LUNA.

Getting around the new software was clunky, but I could see all that clunkiness going away in the coming months of using it over and over. Just understanding there are different places to look when you click on certain things, etc. I found that my subgroups solo’d sounded different than all of those instruments solo’d. Weird things. I sank a bunch of money into the add-ons that most people assumed came with LUNA from their NAMM presentation, but surprise surprise!

All done mixing, so now we BOUNCE!

LUNA takes over 15 minutes to bounce a 4-minute song (even directly to WAV). With each LUNA update, I would load up my LUNA session and bounce – still takes ungodly forever. I finally posted about this on their forums – I mean SURELY there are many more having this issue. Drew’s (UA employee that’s in all forums and webinars) suggestion is to use real-time bounce (which will take no longer than the 4-minute song) and leave feedback via LUNA. Uhm, the last DAW to have real-time bounce was Pro Tools, and that’s even been years – all the other DAWs would do this way before Pro Tools.

For the life of me, I can’t believe any of these guys that they have been broadcasting from their studios don’t have this issue in the box. I’ve yet to see any of them bounce a mix live and show “offline” take any less time than real-time.

I revert back to Pro Tools every time. I need to make fast tweaks to sessions from notes via email or sometimes live through a Zoom session and sending audio through AudioMovers so the client can hear and make tweaks in real-time. I need to bounce those out and move on to another session. It could be that we’re working on a few sessions at a time with the same client, or moving on to another client in another genre or in another country perhaps – regardless, LUNA’s bounce is unusable in a working studio.

I’ve been so disappointed – I wanted LUNA to put Pro Tools to shame so I could start using it as the primary DAW in my studio, but besides this MAJOR flaw, there are others that prevent me from using it. It’s locked to its own CUE system, and that’s not how I roll. Pro Tools lets me use inputs and outputs the way I want. I like to use my drum room mic between live tracking on an AUX as a way to hear people talking in the room. Well, there’s a webinar coming up that’s supposed to address my situation – let’s see what comes of that.

What prompted this post was a recent v1.1.6 update to LUNA, and bounce is still the biggest limitation for working professionals in my opinion.

Eagle Christmas

First time using Pro Tools new dark interface.

Jason Neri (keyboards)
Mike Parisi (bass)
Ryan Cullen (drums)


1. Deck the Halls – All
2. Dreidel – Sam
3. Emmanuel – Maggie
4. Hark the Herald Angels Sing – Jenna
5. Joy to the World – Jenna
6. Away in a Manger – Annabelle
7. First Noel – Will
8. Oh Holy Night – Sal
9. Silent Night – Maggie
10. Oh Christmas Tree – Annabelle
11. We Wish You a Merry Christmas – Sal
12. Auld Lang Syne – Will

Band recorded live as well as Annabelle and Maggie. All other vocal tracks were recorded remotely via whatever recording devices Sam, Will, Sal and Jenna had available to them.

01. Sub Kick
02. Kick 52
03. Kick 91
04. Snare Top
05. Snare Bottom
06. Snare Condenser
07. Tom 1
08. Tom 2
09. Tom 3
10. Hi-Hat
11. Ride
12. Left Overhead
13. Right Overhead
14. Mono Room
15. Bass
16. Keyboards
17. Jason
18. Vocal

MonteCarlo

Mixing/Mastering

Music tracks recorded by Damian MonteCarlo at his home studio.
Drums are 2-track stereo. 🙁

Vocal tracks recorded by Albert Lepore at his home studio.

Track by track:
01. Paradise Lost (after their released mix) 20200910
02. Hannah 20200920
03. Scream Bloody Murder 20201005
04. Fireball 20201112
05. Insomnia 20201215
06. Vampire 20210117

Hopefully we’ll get some multi-track drums in these sessions and remixes.

For now, they’re shared on all major platforms.

It's not the gear, it's the ear …